While Eames continued to work on molded furniture in plywood, Saarinen chose other materials.Įero Saarinen designed a lot of different pieces of furniture, including the "Grasshopper" armchair with bent armrests of laminated wood. In 1940 Eero Saarinen and Charles Eames took part in the "Organic design in Home Furnishings" competition mounted by the Museum of Modern Art in New York. One of the elements that characterise the work of Eero Saarinen, both in architecture and industrial design, is the originality, diverseness, and uniqueness of every single creation. Subsequently he enrolled at a degree course in architecture at the Yale University, New Haven, Connecticut, US, and graduated in 1934.Īmong Eero Saarinen's work partners and friends were Charles and Ray Eames with whom he worked in the environment of the Cranbrook Academy in Bloomfield Hills, Michigan, US, university at which the famous architect Eliel Saarinen, his father, was teaching. “He’s just our director of photography, who wound up being the center of the whole film.Eero Saarinen, Finnish architect and designer from the city of Kirkkonummi, started his academic studies with an important experience in Paris, France, from 1929 until 1930 that positively influenced his creativity and his enthusiasm about the art field. “The added surprise was how personal it all became,” Rosen says of the process. By the end of the documentary, Eric shows a new appreciation for his father’s genius, driven especially by the beauty of intimate spaces like the church. Rosen says one of the most unanticipated and moving things about making the film was watching Eric Saarinen discover the spaces his father created for the first time. are buried underground, leaving only the sanctuary space immediately visible to visitors. ![]() The other, less religious parts of the church - bathrooms, kitchen, etc. Unlike traditional spaces of worship, the altar stands in the middle, with pews surrounding it on all sides. On the inside, the spire lets in natural light, which is complemented by lights that border the sanctuary’s edges. The church is hexagonal, with a tall spire that rises 192 feet and is topped with a small, gold cross. The geometric church building was the last one Saarinen ever designed - he submitted the final version of his plan only a month before he died. “He could have this huge success with TWA, but never went back to that idea again,” he says. Rosen says the unique airport design airport is an example of Saarinen’s constant innovation Though the space is no longer in use as an airport due to modern security requirements, it is slated to be turned into a hotel in the near future, with the open terminal interior preserved. The stunning design evokes the marvel and excitement of flight and travel, with arched lines and suspended platforms and bridges on all sides. Saarinen would literally put himself in the middle, poking his head in and moving pieces around, to finalize his concept.Įven when the final design was put on paper and approved by the client, Saarinen decided it wasn’t right and quite literally went back to the drawing board. ![]() According to the documentary, Saarinen’s design for the structure was constantly in flux and so hard to draw that the team assembled a massive model of it before ever putting it on paper. Saarinen’s most famous airport design, however, is the now empty TWA terminal at New York’s JFK Airport. ![]() The 500-room hotel is expected to open in 2018. New York Governor Andrew Cuomo announced in September the approval of the $265 million hotel project, funded mostly by a partnership between MCR Development and JetBlue Airways. Kennedy Airport in the Queens borough of New York, October 18, 2015. The Trans World Airlines Flight Center is seen at John F. Account icon An icon in the shape of a person's head and shoulders.
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